Award-winning Actress Laurie Metcalf has been a staple of film, television, and theater for decades. From her heart-wrenching plays to hilarious comedy stints, she’s the kind of talent that truly has something for everyone. However, she started off from much more humble beginnings, and Metcalf has gone through quite a bit more than we ever knew to get where she is today.
Metcalf was born in June of 1955 to her mother Libby, a librarian, and father James, a budget director at a local university. Laurie was raised in Edwardsville, Illinois with her two siblings, James and Linda. However the environment wasn’t exactly conducive to a life on the stage…
According to Laurie herself, the small town she grew up in wasn’t “anywhere near a theater”, so it makes sense that she didn’t discover her love of the craft until a little later on. In fact, Laurie was a painfully shy kid — so much so that she never thought she’d pursue a life on stage!
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Eventually, Metcalf worked up the courage to finally audition for several plays in high school. And once she did? She was immediately addicted to the art of acting. Being in the spotlight seemed to have the reverse effect of actually allowing the girl to come out of her shell and shed her insecurities.
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Laurie attended Illinois State University, but her major was far from anything theater-related. Being a rational-minded person, she forced herself to put aside her true passion in order to pursue more grounded majors — first studying German, then later switching to anthropology. But without one significant turn of events, we might have never known her name.
While Metcalf was studying these academic fields and supporting herself through secretarial work during college, she managed to find time to act in a school production of What the Butler Saw. The play itself wasn’t critically acclaimed, yet Laurie never could have known this gig would be the one to change her life forever.
After seeing her performance, close friend and classmate Terry Kinney urged Metcalf to take the craft of acting more seriously; he could see she had what it took to succeed. Following his advice, she ultimately graduated school with a bachelor’s degree in theater. After this, her career would skyrocket.
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In 1976, following graduation, she joined the Steppenwolf Theater Company as one of the original members after it was co-founded by Kinney. Other big names who acted alongside her in productions were Gary Sinese and John Malkovich. And though she’d left anthropology behind, Laurie confessed it helped her be a better actor, for one strange reason.
Steppenwolf Theater Company
She’s been quoted as saying that theater work, much like the more “academic” field of anthropology, involves studying and interpreting human behavior. Honestly, true! Laurie and her colleagues spent several years following their whims and playing whatever off-Broadway role piqued their interest the most. That is, until one special opportunity…
It would be her role as a prostitute named Darlene in Steppenwolf’s Balm in Gilead in 1984 that really launched her journey into mainstream success. One monologue in particular caught the attention of critics, in which Metcalf’s character spoke of an albino boyfriend she had, for twenty minutes straight.
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The role won her an Obie award, and even had one critic remark, “Just to sit there and watch and hear Laurie unspool that story, it just brought tears coming down your eyes — oh, boy, it was something.” After this, Metcalf was virtually unstoppable in her climb to success — for the most part, at least.
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This highly praised role was a huge stepping stone for Metcalf, but it was also lodged directly between two highly emotional personal events — one joyous, the other incredibly tragic. You see, in 1983, the year before she won the Obie, Laurie had married the first love of her life: Jeff Perry, co-founder of Steppenwolf.
The newlyweds were overjoyed to have made their union official, and Perry supported Metcalf after her portrayal of Darlene earned such high critical acclaim. Neither of them knew, however, that a sudden death was right around the corner, one that would rock Metcalf to her core.
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In 1984 Metcalf’s beloved father, James, passed away suddenly. Nobody saw it coming, as he was only 54 years old. This was an especially tumultuous time in the young actress’s life. Amid so much success and love, she didn’t see such a heartbreaking blow coming. Then, things got even wilder.
Only four years after her father’s sudden death, the whole country would know Laurie Metcalf’s name. That’s because it was in 1988 that she earned the role she is perhaps best known for: playing the lofty-headed but good-hearted younger sister Jackie on Roseanne. Being a sitcom star was a dramatic turn.
The actress earned critical and commercial praise for her portrayal of the character and even won the Emmy for Outstanding Actress in a Comedy from 1992 to 1994. However, her personal life continued to clash with her professional success.
In 1986, after only three years of marriage, Metcalf divorced her first husband Jeff Perry. Then, in 1993, in the midst of all these accolades, she wed her second husband, Matt Roth. He would be with her during one of the most successful periods of her career thus far: a feat that broke history.
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After Roseanne ended in 1997, most would’ve thought the actress would’ve resigned herself to being kicked to the curb. However, Metcalf refused to languish on the sidelines; instead, she continued to land stellar roles such as those in Scream 2 (1997) and Bulworth (1998), followed by a three-year stint on the sitcom Norm. Her career certainly wasn’t slowing down!
In 2007, another big development in her career came when she landed the part of Sheldon Cooper’s mother Mary on The Big Bang Theory. Still, while she was enjoying a big-shot film and TV career, she never forgot about the medium that first drew her to acting: theater.
In 2008, Metcalf won her first Tony for playing presidential speechwriter Clarice Bernstein in David Mamet’s November and also earned heavy praise for roles in The Other Place (2013) and Misery (2016). However, perhaps the biggest success of her decades-long career was still to come.
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In 2016 she made history when she received Emmy nominations in 3 different categories: Outstanding Lead Actress in a Comedy for Getting On, Outstanding Guest Actress in a Comedy for The Big Bang Theory, and Outstanding Guest Actress in a Drama for the web series Horace and Pete. Then, there was Lady Bird.
It wasn’t until the end of 2017 that she was formally acknowledged for her incredible film efforts. Laurie received her first Golden Globe and Oscar noms after her stunning performance in coming-of-age tale Lady Bird, in which she played Saoirse Ronan’s high-strung mother.
The two actresses grew pretty close on the set of the award-wining film, though who wouldn’t want to pal around with Saoirse? With her striking girl-next-door looks and fierce acting abilities, this starlet is honestly hard not to like. Plus, her fame has finally taught us all how to actually pronounce the name Saoirse (seer-sha).
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All her stardom goes back to Saoirse’s home: Ireland. Though she was born in the Bronx, her parents moved the family back to Dublin when Saoirse was three, which is where she truly became an Irelander.
Ireland in the 1990s and 2000s was filled with great social change. Things taken for granted in the United States — such as being able to get a divorce — were finally legalized, and that’s only one of the major changes that occurred during Saoirse’s childhood.
“I don’t know where I am from. I am just Irish,” she said. Though proud of her heritage, it wasn’t long before Saoirse’s path became quite clear, both to her parents and to herself. And that path led far away from Ireland…
Specifically, it led to Hollywood, California. Saoirse was just 11 years old in 2005, but that’s when she acted in her first big movie, I Could Never Be Your Woman. With this role, she solidified her status as a bonafide actor.
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She returned to Ireland whenever she could, but she often found herself watching the social and political changes happening in her home country from film sets in the U.S. And the older she got, the less comfortable she was staying silent.
Meanwhile, she acted in movies that directly dealt with the hot topics she wanted to talk about — women’s rights, gay rights, immigration — and soon, she was inspired to speak up about the social issues plaguing Ireland.
In 2015, she described with awe the day same-sex marriage was legalized in Ireland. “Everyone had the flags out,” she recalled. “They were having street parties. It felt as though we had moved into a new stage.” She’s also been vocal about her political views.
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“I wouldn’t say I grew up politically minded,” she described, “but the older I get, the more in touch I am with what activists are doing — and the more I want to help them.” But Saoirse faced something most famous activists are constantly battling: backlash.
Still, she didn’t let any hate she received from close-minded people cloud her judgement or obscure her future goals. “I just felt like it wasn’t important,” she said of the backlash. But she had no idea what she would face surrounding one of Ireland’s most hotly debated topics.
People closely associate Ireland with Catholicism, and rightly so: Until the 1990s, it was the backbone of Ireland’s entire governing body. It was also a huge part of Saorise’s own life, as her parents raised her in the Catholic faith.
Lady Bird, which stars Saoirse, plants her character smack dab in the middle of Catholic school. With her dyed hair and defiant nature, Lady Bird herself goes against most of the values held dear inside the walls of Catholic school. This got many audience members thinking…
How much did Lady Bird’s defiance of the Catholic church line up with Saoirse’s personal life? Saoirse recently spoke of how her experience growing up within the Roman Catholic faith changed the way she looks at the world.
Saoirse explained that religion — specifically Catholicism — is treated differently in Ireland. It’s not just something someone practices when they go to church every Sunday or pull on their school uniform in the morning. It’s far more deep-seated.
For the Irish, it’s a symbol of Ireland itself. “It’s a much more sort of cultural thing in Ireland than it is [here],” she told Stephen Colbert. The people she grew up with were, as she described, “very religious Catholics,” and they influenced the way she thought and what she believed.
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“As a Catholic you grow up believing that there’s an answer for everything, and a reason for everything,” she said in an interview. She made her First Communion and Confirmation, but even then, she was starting to second-guess some of what she was being taught.
A turning point was when she was just six years old and her parents took her to her first confession. “I had nothing to confess,” she remembered. “All of us kids were like, ‘What are we going to say? Do we make something up?”
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She continued by saying, “Even as a kid, I didn’t feel like it was right for us to make up something just for the sake of it.” This instinct led to a controversial decision for the conflicted six-year-old.
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“So I said to my mum and dad, ‘I’m not doing it.’ I said no. So I’ve never confessed.” It may sound like a small moment now, but back in Y2K Ireland, Saoirse’s doubts were proof that change was coming.
“Of course when you’re a teenager you want to belong to something. For me that was being on a film set, so I worked a lot,” she explained. For her, religion just wasn’t what she “belonged” to; acting is her true calling…
Still, religion is a part of her childhood that will always be deeply ingrained. “Church is still a massive presence. But it is changing. It doesn’t have the same grasp it used to,” she said. Truly, things in Ireland have changed alongside her career.
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Young but with the experience of a seasoned actor, Saoirse is learning how to use her staggering talent for good. Her honest performance in Little Women is proof that she isn’t afraid to show the world how she really feels about controversial issues.
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For the few who aren’t familiar with Little Women, the story follows the March family during the Civil-War era as the four daughters, Meg, Jo, Amy, and Beth, grow up and come into their own.
The book highlights struggles with friendship, family, love, and independence in a way that is not only timeless, but also endearing. Everyone falls in love with the March girls, and most can see bits of themselves reflected in the characters.
Louisa grew up with three sisters, so it wasn’t too far of a jump to assume the March family was based on her own. The author admitted they had indeed inspired the characters of Little Women, but the book failed to cover some of the more interesting details.
Portrait of Louisa May Alcott
Born in 1832 to Amos Bronson Alcott and Abigail “Abba” Alcott, Louisa May was the second oldest of four sisters. But before she was even a twinkle in her parent’s eyes, her father led a wild life of his own.
Portrait of Abigail and Amos Alcott
Amos would be best described as an ambitious romantic. He left home early to become a Yankee peddler, which was a traveling salesman of sorts. Unfortunately, sales wasn’t his calling, and he soon found himself in debt — a plague that would follow him throughout his life.
The Yankee Pedlar, 1872 by Thomas Waterman Wood
Despite his mismanagement with money, the bright, idealistic young man attracted the attention of Abba who came from a relatively wealthy and socially prestigious family. The two were married by 1830.
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Abba fell in love with Amos’ passion for education and social justice, and she was loyal to him and his mission. Where Amos was idealistic, Abba was pragmatic, and this balanced the couple out… for a while at least.
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When her husband’s schools failed because of his progressive teaching practices, Abba stood by his side. When he fought backlash from parents after admitting a black student into his school in Boston, she remained an adamant supporter.
It went on this way for many of Amos’ ventures. Even as he adopted Transcendentalism — an emerging philosophy that focused on the inherent goodness of people and nature — Abba went along with him on a new venture that would drive their family to a near breaking point.
Wanderer Above the Sea of Fog by Caspar David Friedrich
In 1843, Amos moved his family to Harvard, Massachusetts, to start a Utopian commune that supported his ideals. He called it Fruitlands, and in time, the experience would serve as inspiration for one of Louisa’s satires, Transcendental Wild Oats.
The farmhouse at Fruitlands
The commune failed miserably. Amos knew nothing about farming, and the family nearly starved. After only eight months, Fruitlands folded, and the family slunk back to Concord, though they never quite recovered from the familial trauma of the experience.
In her writing, Louisa framed her father as a man with dreams the world just wasn’t prepared for. “Those who attempted to found [Utopia] just got laughed at for her pains.” Off the page, Louisa was far more disturbed by her father’s inability to provide for the family.
Even after the Fruitlands disaster the family struggled with money. Abba was forced help pick up the slack, and she actually became one of the first professional social workers. Louisa and all her sisters took up work as governesses and teachers.
It was clear that while much of the family’s eccentric life influenced Louisa and her sisters, nothing shaped and drove them more than their unremitting poverty. This struggle even transformed the way the girls were portrayed in Little Women.
New York Times
Meg was based on Louisa’s oldest sister Anna who was actually a gifted actor. In her diary Anna wrote, “I have a foolish wish to be something great, and I shall probably spend my life in a kitchen and die in the poor-house.” She felt marriage was her only escape.
Portrait of Anna Bronson Alcott Pratt
Beth, who died in the book from illness, was based on Louisa’s sister Lizzie, who died from Scarlet Fever. Little is known about Lizzie, but the loss completely devastated the Alcott family. Beth’s character serves as a tribute to her.
Illustration from Little Women, 1869. Courtesy of Houghton Library at Harvard University. Public Domain, via Wikimedia Commons.
Jo, who is based off Lousia herself, had all the gumption and strong-will of her creator. However, Louisa found literary success before Little Woman with poems and short stories. It was only after pressure from her publisher that she caved and agreed to write a book for girls.
Louisa thought a book about girls’ daily toils would be boring. “[I] Never liked girls or knew many, except my sisters, but our queer plays and experiences may prove interesting, though I doubt it.” She ended up drafting the first version of Little Women in just a few weeks.
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With her success, Louisa could provide financial assistance to her youngest sister May — Amy in the book — so that she could study art. May went on to become a successful painter in Europe and fought for other impoverished women in the arts.
Though Louisa will always be known for Little Women, her writing about feminism and philosophy — what she was really passionate about — never gained footing. And though successful in her lifetime, her years of poverty and hard labor ruined her health.
The beloved author never fully recuperated. Through looking after her niece and namesake after her sister May passed away, along with her literary works, Louisa was still able to hand down her passion and her extraordinary tale of life.
It’s hard to think of a cultural artifact as steeped in nostalgia as the books we read when we were young. Everyone remembers the stories they held nearest and dearest as children. Oftentimes, though, we come to realize that nobody, not even our favorite authors, are completely innocent.
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Written by bonafide pioneer woman Laura Ingalls Wilder, the Little House on the Prairie series of children’s books holds a special place in the hearts many American families. However, the life of the author herself is not at all suitable for kids.
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The Ingalls family moved around quite a bit. By the time she was fifteen, Laura had already lived in five different states. She had also already experienced quite a bit of tragedy for someone so young.
Laura’s older sister Mary contracted scarlet fever and went blind. After this, Laura had to care for her. In addition, the girls had a younger brother, Charles, who died in infancy. It seemed the Ingalls family was marked for tragedy.
Laura received her first teaching job at 15, around the same time she met Almanzo Wilder. Although he was ten years older, Ingalls was enamored. They wed three years later, looking to a future they couldn’t know would be mired in catastrophe.
Almanzo and Laura (or Beth, as he called her — he had a sister named Laura), had their first child, Rose, in 1886. Rose would grow up to play a controversial role in her mother’s life. However their second child was a different story.
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Rose’s little brother was doomed to suffer a fate similar to Charles’. After living for only 12 short days, the yet-to-be-named baby passed away. Soon, Almanzo would experience some devastating health problems of his own.
After a particularly debhilitating bout of diptheria, Almanzo was left partially paralyzed and unable to farm for the family’s livelihood. As if their string of bad luck wasn’t long enough, shortly after this, their daughter Rose made a mistake that changed the family’s lives forever.
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Left alone in the kitchen at only three years old, Rose attempted to help her mother by adding firewood to the stove. Tragically, this would set a fire that nearly killed the girl and her mother, and ultimately burned their house to the ground.
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In a 1926 Cosmopolitan article, Rose revealed she still struggled with guilt over the incident. Additionally, she confessed that her childhood felt like a nightmare; she had to endure extreme poverty and malnutrition. Despite this, she remained close with her mother — some say a little too close.
Rose Wilder was a writer, just like mom. In fact, she actually gained commercial success before Laura’s famous Little House series ever saw the light of day. Artistic collaboration between the mother-daughter pair has led to quite a bit of controversy.
See, it is suspected in some literary circles that Rose was actually the ghostwriter behind the books that made her mother famous. And although Ingall’s artistic legacy persists today, recently some dark allegations have come to light.
In 2018, an award for excellency in children’s literature previously called the Laura Ingalls Wilder Award underwent a name change. The association of librarians who created the honor decided to remove Wilder’s name, and their reasoning reveals something deeply sinister about the author.
The reason for the new nomenclature was that Wilder’s books have been criticized in the modern day for their racist content. The writer has been accused of saying dehumanizing and downright vitriolic things about both black people and Native Americans.
An opening line to one of the chapters in Little House on The Big Prairie is particularly unsettling. It describes an area where there were “no people. Only Indians.” This dehumanization encompasses in a nutshell some of the more problematic aspects of Ingall’s work.
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Another phrase that caused the committee in charge of the award to change its name was the obviously racist line, “The only good Indian is a dead Indian.” Some critics argue that Wilder was merely a product of her time, but the librarians decided they needed to cut ties.
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Despite well-founded allegations of racism, Wilder’s legacy has remained a huge influence on American children ever since its first publication in 1935. It even led to a TV series of the same name — a show that was also not without mishap and controversy.
Alison Arngrim, the actress who played the show’s antagonist Nellie, was put through a great deal of physical trauma. Extremely high temperatures on set once caused her to faint from exhaustion, and her signature blond wig was so tight that it made her scalp bleed.
In one iconic episode, Arngrim’s character was sent throttling down a hill while confined to a wheelchair. The actress’s screams were so convincing because they were real! Seconds before filming, a crew member yelled that the rope securing her chair had broken, causing Arngrim to cry out in fear.
Melissa Gilbert, who played Laura herself, was also subjected to some less than appropriate circumstances. In one episode she shared an onscreen smooch with her costar, Dean Butler. The messed up part? He was 23, and she was only 15. It was the actress’s first kiss.
Michael Landon did more than play Pa Ingalls. He was also an executive producer, writer, and director for the series. When actress Karen Grassle auditioned for the role of Ma under her stage name, Gabriel Tree, Landon requested she drop it and use her real name.
All the hearty meals that Ma worked tirelessly over in the scenes were actually one food: Dinty Moore beef stew. The one exception? In an episode where Ma fried chicken, they used KFC.
Before Draco Malfoy and Joffrey there was the original blonde spoiled brat: Nellie Oleson. Serious credit must be paid to child actors Melissa Gilbert and Alison Arngrim for their convincing animosity, particularly since they were real life BFFs!
It’s hard to separate her from her perfect portrayal of Nellie, but before she embodied the utterly nasty character, she auditioned for both Laura and Mary Ingalls. Luckily for the fans, she was rejected.
By the time Michael Landon landed in Charles ‘Pa’ Ingall’s boots, he was already famous thanks to the hit show Bonanza. So when Little House began, he got to call the shots. Michael envisioned Charles with a certain swagger, which included 4-inch lifts in his boots so he was the tallest on set…
He also wasn’t shy about Pa flashing some skin. Michael reportedly enjoyed filming shirtless scenes to show off his physique. On occasion, he was even known to skip wearing undergarments with his costumes.
Before the Olsen Twins, there was another adorable identical TV duo: Rachel and Sidney Bush. Together, the twins shared the part of Carrie Ingalls. California labor laws required the director to rotate between the three-year-old girls every few hours.
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Working with kids led to countless hilarious unintentional mistakes captured on film. During the opening credits, Carrie Ingalls trips while running down a hill. That was a real tumble! The director thought it was cute, and chose to keep in.
Melissa was a natural fit for the tough, can-do character, Laura “Half-Pint” Ingalls: In the storyline when Laura learns to drive a stagecoach, Melissa actually trained to do so in real life. She jumped on the opportunity to experience the authentic pioneer lifestyle.
Michael starred in the smash hit Bonanza right before beginning the Little House series: He carried over a lot from his previous show — including the scripts. Bonanza’s “A Matter of Circumstance” episode was repurposed and made into “A Matter of Faith” on Little House.
The cast and crew were known to partake in a bit of drinking, and crushed over two cases of Coors most days on set. Sometimes Wild Turkey was in the mix. All the debauchery took place during the child actors’ nap times.
The show was actually filmed in Simi Valley, California: Big Sky Ranch served as the set for most of the series, and unbeknownst to the crew, it was also a former disposal site for radioactive materials. Some blame the radioactivity for high cancer rates amongst the production team.
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Melissa Sue Anderson, who played Mary Ingalls, didn’t bond with the rest of the cast. Her mother kept a protective watch over her, which alienated her from the group. Even though Laura and Mary were close-knit sisters onscreen, Melissa Gilbert said her costar was conceited.
The closeness between Laura and Pa was real: Michael was a father figure to Melissa. Her own father died when she was just 11, so she spent many weekends at the Landon house and adored his wife and children.
That bond didn’t last: Michael had an affair with a makeup artist on set, which resulted in a divorce from his wife Cheryl. Melissa took her side and stopped associating with the actor off the set.
The fireworks were real: In the series finale, the townspeople of Walnut Grove enact some revenge on the land-grabbers taking the city for their own when they rig dynamite and blow all the buildings to smithereens. Well, those explosions were real! They used footage of the actual sets being demolished.